When the routine bites hard

RT @MarkBusse: People often say I have a big head, but that's hogwash. This photo proves my head is just right: (Link)

Love this diagram of the creative process as a continuum from research (uncertainty) to design (clarity). (Link)

Our newest designer Dana is awesome. You should hear her talk to marketing people when they call. Don't mess with the Dana.

This is the best Olympic training video I have seen to date ;-) (Link)

Missed what it was like to be in Vancouver when Crosby scored the winning goal this weekend? Watch (and listen) to THIS! (Link)

Google acquires Picnik, thus expanding it's dominance in the cloud computing domain. Who needs PhotoShop anymore! (Link)

RT @MarkBusse: @TimeFox is now on Twitter and has released an iPhone app! I just updated some projects hours I forgot to log. #productivity

RT @MarkBusse: How do you define professional success? For me, it has to be working with people that feel more like family than employee ...

Our client Eclipse's brand design is highlighted in an article on page 12 of BIV's 2010 How-To Book: (Link) (PDF available)

BLOG POST: "Using Twitter For Business" can powerful, but can also be a risky proposition if not done well. (Link)

RT @MarkBusse: Yikes! Just found out that the firm who recently beat us on a web project was C&G Partners in NYC! Punching above our weight!

Want one of these spiral clocks. Maybe I will wait until the more economical version is released. (Link)

A fantastic stop motion animation: (Link)

A geeky fun way to express an apology! (Link)

The Winter Olympics, Matt Style. (Link)

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When the routine bites hard

lovewilltearus.jpg
From Visual Complexity:

“Using information design principles and graphical techniques, the 85+ recorded covers of Joy Division’s “Love Will Tear Us Apart” is mapped in relation to the original recordings by the band. Although available information was limited, the graph is data rich in representing time since original recording, recording artist, release name/date and label. Various graphical techniques employed allowed for data to be accessed (number of recordings per year) while also creating an interesting aesthetic presentation.”

The requisite soundtrack

…and the trailer for Anton Corbijn’s Control.

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