Cuba: Design on the Embargoed Archipelago

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Cuba: Design on the Embargoed Archipelago

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It’s common knowledge (among those who know me) that I love Cuba. My wife and I were married there. I may not entirely agree with their politics, but the Cuban people are amazing—perhaps the warmest and most enjoyable culture I’ve encountered in my travels. To visit Havana is an adventure in history, politics, architecture, music, food, drinks and language. If you haven’t been, go.


In the past few years, my role with GDC has happily collided with my love of Cuba, first with the sold out Colours of Cuba holiday fiesta party we hosted in 2005, then the Shared Dreams Cuban design exhibit we were able to bring to Vancouver in 2006. Now, I am again fortunate to be able to travel back to Cuba as part of a small delegation of GDC designers to the Icograda World Design Congress being hosted in Havana October 20–26, 2007. We’re also bringing with us two deserving young GDC student members selected from an impressive field of entries to expose these young designers not only to the diverse Cuban design scene, but to the international design landscape early in their career.

A GDC colleague of mine, Robert Peters of Winnipeg’s Circle Design, is also a fan of Cuba and has made numerous trips there, studying their culture and design community. He recently published a wonderful and well-researched article in Communication Arts called Cuba Si! about life, history and politics on the embargoed archipelago and their impact on the design community. Peters himself is an inspirational Canadian design leader—there’s a great interview with Robert Peters on NetDiver if you’d like to learn more about his personal history and perspectives.

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